Horses and Men in the Rain by Carl Sandburg. There is a fish in me . This is supported by the next phrase which describes the wolf’s tongue as being for eating “raw meat” and the “lapping of blood”. . The first creature through which the narrator speaks is “a wolf.” He begins this stanza, as he begins all the others, by stating that, “There is a wolf in me.” This is an interesting choice of words as he is not describing himself as being “like” a wolf, but as containing a wolf. To demonstrate how insignificant humans are when compared to nature, Carl Sandburg used personification in order to make grass the speaker of the poem. He speaks of the “fangs pointed for tearing gashes.” The wolf’s teeth are made for this purpose. ready to snarl and kill . . . This is especially effective when the poem is quite short as this one is. There is a fox in me … a silver-gray fox … I sniff and guess … I pick things out of the wind and air … I nose in the dark night and take sleepers and eat them and hide the feathers … I circle and loop and double-cross. It can tap into his “wishes.” Of all the animals in this piece, these final two are the most different from one another, but also the clearest in their representation of this man. . ready to sing and give milk . I nose in the dark night and take sleepers and eat them and hide the feathers . He is a part of the world and will take care of all that which he contributes to it. It is clear that he is envious of this creature and is striving to gain some part of it. I sniff and guess . The poet emphasizes the fact that the “Wilderness gave” him this skill or strength, and he is unwilling to “let it go.” It is a permanent part of him that he will work to maintain. I know I came from salt-blue water-gates . There is a hog in me … a snout and a belly … a machinery for eating and grunting … a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go. I pick things out of the wind and air . Literature is one of her greatest passions which she pursues through analysing poetry on Poem Analysis. Each section of this poem is started in the same way, with a statement describing the presence of an animal spirit within the speaker. . Carl Sandburg was awarded three Pulitzer Prizes in his lifetime—the first in 1919 for his poetry collection Corn Huskers, the second in 1940 for his biography Abraham Lincoln: The War Years, and the third in 1951 for Complete Poems. . here they hide curled asleep waiting . It is the mind, the region that is there, neglected, and abandoned. It is almost physical. The speaker makes sure to depict only the most powerful elements of these animals, he does not show … . I blew waterspouts with porpoises . The baboon is not described completely flatteringly. Carl Sandburg used a lot of personification in his poem “Chicago”. Its strengths and oddities are highlighted and the speaker finds a way to relate his humanity to each one. The login page will open in a new tab. ‘Wilderness’ by Carl Sandburg begins with the speaker’s first description of the state of his interior spiritual being. The stanzas of this piece are irregular in their line numbers, syllables, and patterns of the meter. . The second stanza of ‘Wilderness’ by Carl Sandburg is made up of two complementary sections that speak on distinct animals with which the speaker feels a bond. . There is an eagle in me and a mockingbird . Suggested reading level for this text: Grade 3-7. These include but are not limited to anaphora, repetition, personification, and allusion. Once more the section ends with the powerful statement, “the wilderness will not let it go.” From here on out the ending refrain will be slightly altered. Sandburg uses several literary devices in ‘Grass’. . The city described in the poem is living, breathing, vibrant. before the first chapter of Genesis. and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is no kindness in its actions, only power. . We respect your privacy and take protecting it seriously. He is unwilling to “let it go”. Personification - giving human characteristics to something nonhuman. The wolf’s body is made to kill and feast. I keep the baboon because the wilderness says so. There is a baboon in me … clambering-clawed … dog-faced … yawping a galoot’s hunger … hairy under the armpits … here are the hawk-eyed hankering men … here are the blond and blue-eyed women … here they hide curled asleep waiting … ready to snarl and kill … ready to sing and give milk … waiting—I keep the baboon because the wilderness says so. . The city of Chicago is referred to as if it were a living, breathing, vibrant person. and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . There is something of this animal present inside him. . The fifth stanza of ‘Wilderness’ by Carl Sandburg describes a baboon. . a red tongue for raw meat . The final section speaks on the narrator’s dedication to maintaining his interior zoo as well as all that which makes him a lover, mother and father. . You can read the full poem Wilderness here. . After reading the poem it becomes clear what the main idea of the poem is. clambering-clawed . . . Subscribe to our mailing list and get new poetry analysis updates straight to your inbox. Many literary devices in ‘ Grass ’ questions at eNotes Figurative Language poem 1 Sketch... Made up of a man and a lover o, i got a menagerie, my! Strengths and oddities are highlighted and the wilderness will not let it go ” of.. 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