The culmination of Jean-Raymond’s career so far came last fall, at his spring 2020 show, Sister, held during New York Fashion Week at East Flatbush’s Kings Theater, an ornate 1920s-era movie palace. Jean-Raymond has succeeded through talent and resolve, but he also has been fortunate to work at a time in which the culture has changed enough to reward him for being true to himself, something that his predecessors were largely denied. In various Pyer Moss designs, one can see a square of fabric stitched to the back of a piece of clothing, a kind of phantom homage to this memory. He went broke doing this, but it reset Pyer Moss in a way that’s allowed him to operate on his own terms. But the best word to describe him might be “literary”: He values story and context as much as cut or fit. Also in 2014, he was a finalist in the DHL Exported Prize presented by IMG Worldwide. He has about 186k followers. In 2018, he became the full owner of his company. He designed a collection inspired by his father for the fall 2017 season, the presentation of which was more an act of Proustian reclamation than it was a typical runway show — his father’s green-card photo, printed on numerous designs, was Jean-Raymond’s madeleine. Makeup by Janessa Paré at The Together Company. Block colours and crisp tailoring are a common theme and the brand is known for its impactful slogan t-shirts. (“Mostly drug dealers,” Jean-Raymond said.) The information regarding his net worth and earnings are not available. “Instead, explore your own culture, religion and origins. I asked them to stay on topic. Randy Moss’ Net Worth. Recent slogan t-shirts included "Stop calling 911 on the culture. The clothes in the collection were deliberately imperfect, with sleeves that were too long or too short and slacks that looked nearly unfinished, but in their sheer sense of character, they were irresistible: wool overcoats with enormous lapels; a maroon sweatsuit printed with what looked like a college logo but in fact said “Miragwan,” the Creole name for the commune in Western Haiti where his father grew up; a hoodie on which a drawing of the elder Jean-Raymond appeared, rendered as a slightly deific icon in a portrayal that was somehow simultaneously ironic and loving. (Of the 19 designers on the board of the CFDA, only four identify as black, including Jean-Raymond.) In the front row of that show, he sat numerous Black Lives Matter activists, including Emerald Garner, whose father, Eric, was filmed pleading “I can’t breathe” as a Staten Island police officer choked him to death for selling cigarettes on a street corner in 2014. You can find him on Instagram @kernito. He looked through the directories for public New York high schools until he found the one that matched his prospective vocation: the High School of Fashion Industries, located around the corner from where we were now talking. For a while, he worked for General Electric but soon started his own home-repair business, installing radio systems and illegal cable boxes for the people in Flatbush who had money. He had been a pre-med student in Haiti before immigrating to New York in 1979, and always maintained an effortless sense of style. His details of age and birthday are not available. “I know all the freight entrances in New York from 35th Street to 41st Street,” he said. His self-awareness is so heightened that he even acknowledges his position as an unreliable narrator: The show about his father was called “My Father as I Remember From 1980-1999,” the first date being six years before the designer was born. But these broad experiences are anchored by an almost novelistic attention to detail. Read the article. And if you want to see his menswear collection then you can find it on Ig. Imran Amed, BoF’s editor in chief, responded in an 800-word post on his site titled “Why I’m Listening to Kerby Jean-Raymond,” in which he apologized to the designer (while also disagreeing with his interpretation of the event) and cited his own experience as the gay child of Muslim immigrants as proof that inclusivity was not a fleeting concern. Well, he summons the average of $6.5 million as his salary. Written by Jian DeLeon. His father was driving a cab in New York when he won a small amount of money from a lotto ticket, which he used to become a licensed electrician. If he said he didn’t like a print or a silhouette, one of the staffers would ask him why, and he would patiently explain himself: He repeated the phrase “This just doesn’t feel new enough” like an incantation. It’s the child’s eyes that are visible, and they don’t look excited but weary, full of ugly knowledge. Consider some of Jean-Raymond’s and Pyer Moss’s forebears and contemporaries: Sean Combs’s Sean John, Kanye West’s Yeezy or Rihanna’s Fenty. He had on thick glasses and a gold chain, and he looked good. AFTER THE TERRORIST attacks of 9/11, it took three weeks for Jean-Raymond to get back to work for his second day. She was a female creative director who had grown a small company into a $100-million business, an outlier who would provide a model for Jean-Raymond of how a supposed outsider could succeed in an unforgiving industry. “If anything good came out of that situation it just underscored how much work we can do to address this issue.”). JEAN-RAYMOND HAS been trying to do things his own way ever since. We lingered here for a time before we decided to move on. This content is imported from Instagram. Pyer Moss in Collaboration With Aurora James boots, $895. Jean-Raymond has never had this luxury. By replicating ours and excluding us — you prove to us that you see us as a trend. When I asked him if his age ever posed a problem for him, he asked me, “What do you think was worse, my age or my race?” Every time he went out on an errand, whether it was to a warehouse or a fashion studio, the lobby security would send him around to the messenger door — he got so used to being forced into a side entrance that he stopped checking in at the front desk altogether. It’s your fingerprint, and nothing is worth smearing it. His brand, Pyer Moss, won the FGI Rising Star Award in the menswear category in 2014. This happened most recently last fall, at a gala held by the influential industry publication The Business of Fashion, which Jean-Raymond says had planned to do a cover story on him and then, after extensive conversations with him and his team about his business, rescinded the offer. “You know, I did everything right,” he told me. The museum had recently done an extensive rehang of its collection in a renovated building, offering more space to the artists — many of them women and people of color — who had for so long been categorically ignored by American museums. Hypebeast Cover Story— entitled “Pyer Moss, The Real American Brand.” Featuring an Interview of Kerby Jean-Raymond by our friend @jerrylorenzo. Seeing the smallness of Jean-Raymond’s operation made me consider the intimacy of his clothing, and how all of it is impossible to separate from its creator. “I like these depictions of blackness as hollow outlines,” Jean-Raymond said. Gunna is an American rapper, singer and songwriter from Atlanta. I sometimes felt that he knew better than I did how the things he was saying, as he was saying them, would fit into the scope of a magazine profile. “Homage without empathy and representation is appropriation,” Jean-Raymond wrote in a statement following a series of posts on Instagram that went viral while the gala was still going on.
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