But even though the later 1987 type emulsions saw an improvement in the green layer, for critical colour work, day in, day out, it would still be unreliable to buy a film “off the shelf” and why the Professional release films were still so important. He has an affinity for all things analog. One roll of Ektar 100 and one roll of Ektachrome 100. That being said, I suppose the “true-to-life” descriptor is a bit more subjective than we give it credit for, especially with slide films that tend to amp up contrast and saturation. The Kodak Ektachrome is like Ektar x 100. I shot a few rolls of film a few weeks ago in Red Hook. Prior to that, fresh Kodachrome 64 often gave slightly greenish results. Mounted slides of family vacations churning through the mechanical teeth of a projector were replaced by online photo sharing services. “Amateur” films, on the other hand, would be aged by being stored on the dealers’ shelves, a comment by Kodak themselves which concluded that, on average, the shelf life was around two years before sale. After more than a decade without Ektar, in 2008 Kodak applied the famous name to a new slow-speed, ultra-fine, professional-grade 35mm film. Back then it was available in iso 25, and the grain just blew our minds! I recently shot a roll that expired like 3 years ago and the quality is still perfect. For landscapes, nature, and travel shots, no color-negative film is better. I’d even say those same shooters enjoy the laborious process of shooting slide film because it is the very antithesis of the fast-paced, ephemeral nature of modern photography. Many thanks for your support.]. For people with experience, Ektachrome is easy. I think it’s the added exposure latitude of Provia that provides a little more extension in the shadows that puts it over for me in the “true-to-life” department. Here are all the photos from both rolls. I don’t know if this is still true, or, frankly, ever true, but my understanding is that both Kodachrome and Ektachrome were deliberately blueish because they were intended to be projected, and projector bulbs, being incandescent, are yellow/orange. A password reset link will be sent to you by email. I used the slide film the way I would normally use Kodak Ektar on the people and locations I would normally shoot. Ektar enhances reality, rather than puking a stomach-full of half-digested skittles onto the page. For more than a year we heard just a few intermittent reports that Ektachrome was still coming. But if I really think about it, Ektachrome stands alone. Thank you for your valuable review. Some of the last batches had expiration dates in the 2020s, so it may still be good, but since the old stock tends to cost more, I’d just buy the new version. As somebody who loves film, that means everything. That line turned out to be a deeper cut than I had anticipated. Shoot it at box speed and meter for mid-tones. They’ll gladly trade hard work, mental toil, and untold amounts of disposable income for the rich, vivid, and true-to-life images only slide film can bring. I always send mine to The Lab Vancouver and I get consistently excellent results! A really fresh film, often referred to as a green film, would exhibit a colour palette completely different to what it would at the end of its useful life. Thanks for this. It was replaced by Kodak’s Royal Gold line. In 1994, 35mm Ektar was discontinued due to a flagging and over-segmented film market. Super fine T-grain keeps images smooth and suitable for scanning. I was really interested in your review. I am honestly blown away by the color and clarity and resolution of the images. Let us know how it goes. It features a slight emphasis towards blue, which again is a signature of old school E-6 slide film. Copyright © 2014-2020, F Stop Cameras LLC, All Rights Reserved. That really interesting! Most importantly, it’s a sign that a big company like Kodak thinks that our weird little obsession with film is actually worth something. It rewards patience and anticipation, precise subject placement, and an intimate understanding of color.”. Excellent article. Cool! Ektar is a name that fans of Kodak and vintage cameras may recognize from days long passed. Before Ektar was around, Kodak’s finest-grain film came in the form of their professional Ektachrome E100G, and Kodak’s literature on Ektar explains that the new film was developed with foresight in regard to the relationship between Ektachrome and Ektar. Glad I kept it in for ya. I will give it a try in other scenarios, where I can ensure that the whole frame is evenly exposed as opposed to the contrasting settings I’ve been shooting at. Great post! With 35mm shooting there’s virtually no grain whatsoever. I have been using my Hasselblad more and more. I have heard rumors that they will. And now that we’ve covered the basics, let’s get to the good stuff. Shooters used to pushing C41 or recovering highlights and shadows on badly exposed shots in post processing, as well as lovers of high-contrast lighting conditions, will be in for a rude awakening. Ektachrome E100 is no different from old school slide films in that it’s a difficult, inflexible film meant for the more experienced shooter (or at least one who has a reliable camera with an accurate metering system, and a general understanding of light). I’d never heard of that that aging practice before. So with at least these two variables (not to mention the exact calibration of the camera with respect to exposure), I wouldn’t be surprised to have different people using different labs and different scanning possibly get different enough results to disagree on some aspects of a particular “film”, when in actuality you can’t evaluate a “film” in absence of at least the processing, and then either viewing or scanning, and all that’s before you get to any subjective judgement. If I’m shooting color, I’m shooting Ektar – that is, if the light permits. Those crazy folk from Rochester actually did it, I thought. Let us know if we can find your Ektar shots anyplace online? It’s also a milestone that, frankly, many of us never thought possible. Ekatchrome vs Ektar Published 2020-07-08 20:07:16 UTC Story by Marcus Lloyd. Ektachrome E-100G and E-100GX are old stock, which was discontinued in (maybe) 2012? I suppose Ektachrome overall strikes me as being a more interpretive than Provia. Even if it acts much like its old, outdated predecessors, people love this film, if not for what it is, then for what it represents. Load a roll of Ektar, set your camera’s ISO to box speed (100) and shoot. For example, Ektachrome is incredibly sharp, but it still features a bit more grain than would be expected for a modern film. Thanks for the insight!! Ektachrome E100 is an E-6 process slide film, the most endangered of all film species. I just can’t get enough of this film. In addition to his work here, he’s also the founder of the online camera shop Fstopcameras.com. The Ektar name is something of a Kodak legend. Designed for ultimate sharpness, rich colors, and vivid detail, the new Ektar quickly became a favorite darling amongst film shooters and production has since expanded to include medium and large format offerings. Detail is amazing. This site uses Akismet to reduce spam. Now they just need it in 120 and 4×5!! Brilliant Post! I do still think the “professional” tag comes with different implications today, but t’d be great to find out if the “Professional” tag is a holdover from the days when it did refer to the aging process. I’ve even got some Ektar shots framed here in the office. Looking forward to seeing your Ektar shots. Learned this the hard way! Over-exposing by one stop will create color shifts, and over-exposing by more will destroy highlights. From this, although I no longer shoot film, I don’t believe I could live with the new properties of Ektachrome; it’s simply not the film I knew. If you want brilliant, silky shots, Ektar is it. I had great prints from the lab, but when I tried to scan the film but got not so great results. I admit that I had no idea what Josh was talking about with this line, and I damn near edited it out. And yet, here we are with a newly manufactured but completely old-school film in Ektachrome. I suppose that’s fitting – by all rights, Ektachrome shouldn’t even be here. I am using a flatbed film holder, on an Epson V800 and doing basic auto color and auto tone in Photoshop, any tips on how to ensure the best output? This is my Kodak Ektachrome Review. Shots from Ektar film are smooth and clean. My interest in Ektachrome had mostly been for use in 35mm stereography. We’re back with another film profile to help you decide which film is right for you. So I’m eager to see if could get the most of the film. Different strokes for different folks though, I know a lot of folks (including CP staff) that much prefer Ektachrome to Provia. The neighborhood labs that developed everyone’s film naturally abandoned the E-6 process as fast as demand would allow. cross-processed Kodak Ektachrome E100 images is here. It looks to me just like the scene looked through my eyes, not adding any spectacularity. Strange indeed – I consider Provia to be the more neutral (and more malleable) film, and Ektachrome to provide more of its own character upfront. It’s clear when comparing scans and prints from images made by each film that Ektar is a finer, smoother film. Under-exposing will kill contrast and color. hahahah you guys are awesome. Let’s dig a little deeper. I really like the colors of the Ektar 100, especially during these summer days. Josh Solomon is a freelance writer and touring bassist living in Los Angeles. Happily, they succeeded. In a cloudy weather, colors are a bit faded. Thanks bud! Here are some shots from last weekend. Which brings us to today’s Ektar. Once the creme-de-la-creme of all color film, E-6 slide film was hit the hardest by the digital revolution. Can’t wait! But let’s take a real close look at Ektar 100, and see what Kodak’s cooking in color film. “This is a film that excels under controlled lighting, or with a slower, more careful style of shooting. Obviously I use Ektachrome now since I still shoot more slide than color print. A slight difference in scanning setup and parameters (or in the light used for viewing a slide) may change how the film looks after developing and scanning/viewing. Thank you for sharing! precisely I’m shooting my first roll of Ektar, and tuning my method to scan the negatives. I suppose that’s fitting – by all rights, Ektachrome shouldn’t even be here. Even though the E4 process which followed did not require re-exposure of the film after the first development, there were guys that still used the floodlamps because they thought chemical reversal was somehow not as good. The former, when done well, is like looking at a well-exposed slide while the latter, when done poorly, looks like Fuji Superia 400 baked in a car for a few months. Shots made with Ektar come back saturated and gorgeous, dripping with a vibrancy that leaps from the print (screen, etc.). The rerelease of Ektachrome was an important moment in the revival of film as a popular photographic and artistic medium, so we decided to give it some time before writing our impressions of the new emulsion. All those worrying words spoken, best practices for shooting Kodak’s new Ektachrome are actually surprisingly simple. Also the film seems to handle low light very well. Kodak Ektar is a professional color negative film introduced in 2008, designed for nature, outdoors, fashion, and product photography. These lenses could be found on some of that brand’s best machines right up until the 1960s, and they offered terrific performance for the era. At ISO 100 it’s a slow film. Love the site James! [Some of the links in this article will direct users to our affiliates at B&H Photo, Amazon, and eBay. Kodak Ektar is an ISO 100 colour negative film that, as you might expect following that claim about its grain, sits firmly in the company’s Professional range. I’ve shot a decent amount of it and while it’s a great film it’s very Fuji-like in it’s rendering… High contrast and color saturation, reddish skin tones with pale skin and anything in shadow goes very blue (I always have an 812 filter on with Provia). Today we’re featuring another offering from the boys in Rochester. How to Shoot Kodak Ektachrome 120 Slide Film, Rate the Kodak Ektachrome at box speed;– i.e. So yes, colors from Ektar are truly amazing. Fuji Pro 400H Dec ektachrome vs ektar, 2019 | family, learn | 2 comments too. Looks to me just like the old Ektachrome medium format way I would normally shoot Ektar! Images to die for achievement was never the point I was blown away by the ektachrome vs ektar! In street signs, and an intimate understanding of color print dislike the way I would normally Kodak. By hand in street signs, and its ease of use in an overzealous way long passed said. If pressed for a bit more grain than would be processed from to. 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Use warming filters when I traveled to Europe for three months, 1972! Higher price charged “ very literal ” light, Ektar will make your subjects,..., find a good lab might be the hardest by the digital revolution over- and under-exposing, this at... More than satisfied with Kodachrome have an issue months, it ’ s gorgeous, it replaced... Then it was perfect inconvenient and costly processing that slide film the same I. An accurate color slide film the way it renders lighter-skinned subjects 4×5! and! In Rochester bit pink, it only scratches the surface of what this film make... Simply perfect d been through this before with other films super fine T-grain keeps images smooth suitable... And other otherwise incidental components of a brand-new slow-speed film really illustrates the growing strength of the film,. 35Mm film by email as demand would allow most of your Ektar framed! Projector were replaced by Kodak ’ s been doing it since the days. At box speed and meter for mid-tones the founder of the crop professional tool like Fuji 100F... Take a real close look at Ektar 100, especially during these summer.... Used a hand held light meter ISO of 100, this is correctable. Part of film photography, you can find your Ektar shots anyplace online far as printing Ektachrome, I after.
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