16. / Who'll follow French— / Will you Who's fretting to begin, Who's going out to win? Most Important Line "And who wants to save his skin." Originally published in the Daily Mail and other papers, Pope collected her war poems into books such as Jessie Pope’s War Poems (1915), More War Poems (1915), and Simply Rhymes for Stirring Times (1916). This poem was written in 1915 by a female journalist Jessie Pope. There is no comment submitted by members.. © Poems are the property of their respective owners. - expressed similar sentiments. Author : web.admin Category : Featured Poems, Poems. Airy Nothings contained the poems ‘Any Woman to a Suffragette’ and ‘Any Suffragette to any Woman’, which it could be argued show Pope taking a balanced view of the controversial fight for the franchise. Published from 1914 onwards in newspapers like the Daily Mail, her verse was later collected in the volumes Jessie Pope's War Poems (1915), More War Poems (1915), and Simple Rhymes for Stirring Times (1916), as well as in charity gift-books such as The Fiery Cross (1915). The Call By: Jessie Pope 1915 17. The opening page of Jessie Pope's War Poems reproduces a facsimile of a letter sent from ‘a soldier at the front’ that proclaims her poems ‘much admired by us all out here’ and ‘will be such a “buck up”’ for the soldier's wife. Pope began writing for Punch; between 1902 and 1922 she contributed 170 poems to the magazine. I would like to translate this poem » Important Lines "Who's for the This poem has not been translated into any other language yet. Criticism Widely disseminated and widely read, her war poetry attracted both admiration and condemnation. All information has been reproduced here for educational and informational purposes to benefit site visitors, and is provided at no charge... Recite this poem (upload your own video or voice file). Her work compelled Wilfred Owen to dedicate ‘Dulce et decorum est’ in his original manuscript ‘To Jessie Pope, etc’, then in a subsequent version ‘To a Certain Poetess’ before deleting the ‘dedication’ altogether in favour of the more cryptic reference to ‘my friend’ in the final lines that precede ‘the Old Lie’. This poem shares a similar theme with much of Pope’s other work, particularly Who’s for the Game? 2 Little Breach, Chichester, West Sussex, PO19 5TX, United Kingdom. Join today for free! ), Analysis of To the Bitter Sweet-Heart: A Dream. This poem is aimed at young men trying to get them to enlist and volunteer for the war. ©2004-2019 Copyright Great War Literature Publishing LLP. This poem has not been translated into any other language yet. Her posthumous reputation, however, rests on the patriotic verses she wrote during World War I. Pope is perhaps best known—and indeed most vilified—for her patriotic poetry of the First World War. Other poems, such as The Call (1915)- "Who’s for the trench — Are you, my laddie?" provided at no charge for educational purposes. Here, she levels accusations of cowardice against those who choose not to enlist. Language Informal 18. Comments & analysis: Who's for the trench— / Are you, my laddie? Jessie Pope was an English author, born in Leicester March 18, 1868 and educated at the North London Collegiate School for Girls from 1883 to 1886. Who's for the trench-Are you, my laddie? Who'll follow French-Will you, my laddie? The Call Poem by Jessie Pope - Poem Hunter. Asking if they want to save their country or not fight and risk their country losing the fight without because they didn't fight. Profanity : Our optional filter replaced words with *** on this page •, © by owner. Pope was widely published during the war, apart from newspaper publication producing three volumes: Jessie Pope's War Poems (1915), More War Poems (1915) and Simple Rhymes for Stirring Times (1916). All rights reserved. She gives enlistment and fighting an air of jollity, which seems heartless and unrealistic but which was not uncommon at the beginning of the war. She was a prolific writer of humorous verse, articles, and short stories, which were published in many other popular periodicals of the early twentieth century, including the Daily Mail, the Daily Express, the Evening Standard, The Queen, and the Westminster Gazette, before being collected in such books as Paper Pellets (1906) and Airy Nothings (1909). Here, she levels accusations of cowardice against those who choose not to enlist. This poem shares a similar theme with much of Pope’s other work, particularly Who’s for the Game? Who's for the trench-Are you, my laddie?Who'll follow French-Will you, my laddie?Who's fretting to begin,Who's going out to win?And who wants to save his skin-Do you, my laddie?Who's for the khaki suit-Are you, my laddie?Who longs to charge and shoot-Do you, my laddie?Who's keen on getting fit,Who means to show his grit,And who'd rather wait a bit-Would you, my laddie?Who'll earn the Empire's thanks-Will you, my laddie?Who'll swell the victor's ranks-Will you, my laddie?When that procession comes,Banners and rolling drums-Who'll stand and bite his thumbs-Will you, my laddie? And who wants to save his skin- A-Level Notes on The Regeneration Trilogy, Notes on Siegfried Sassoon: Selected War Poems, Analysis of No One So Much As You (M.E.T. 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